Tod Seisser

The Zeal of Tod Seisser

2010-01-02T15:22:00.000-08:00

Several years ago J. W. Thompson hired Tod Seisser to share the post of creative director of the New York office with J.J. Jordan. Seisser held the title of managing director, creative, at Ammirati, and Jordan shared responsibility for the office. Tod gave extensive creative output, and they both reported to Susan Gianinno. Seisser's linkedin profile provides more information and detail.

Tod had quite the reputation as a team player. Seisser earned this reputation, due to his zeal for detail, and a distinctive visual style that didn't go unnoticed. The search for another creative director that would join Jordan was inspired by a desire for team leadership. Seisser was working at a strong agency brand name, and Tod apprecited this on multiple levels. Seisser's time at APL began years before, when Tod ran one of the agency's creative groups. He had considerable responsibility for the successful repositioning of UPS with the 'Moving at the Speed of Business' creative and advertising campaign. Tod also worked on Burger King, RCA and multiple other projects.

Literature Game

2009-11-29T01:38:00.001-08:00

OK, this is intriguing--it's a literature game that features Tod. It takes some classic literature that's now in the public domain, and sort of plays a what if scenario. Asking what if Tod Seisser was the main character in an interesting story?

In a sense, it reminds me of a Find Waldo kind of thing. But its actually quite different. There could be various clues embedded in such a game, that take you to interesting web destinations. Who knows? It's just an interesting thing to think about. Tod brims with creativity about these things, so there's no telling what he might be up to...

Interesting proliferation of Ideas

2009-11-29T01:12:00.000-08:00

Well, I was trolling the internet and came across this blog that discusses Tod's work. Although, I suppose this post in particular is what really caught my interest. One reads so much these days about the craft of media, but every now and again somebody really gets it right.

This was fascinating article that also speaks about the Seisser's Cheerio work. Its pretty interesting, and speaks of many things I've found interesting. This is basically just a Thanksgiving weekend stream of consciousness. Watching Bill Moyer interview Jane Goodall, very inspiring stuff.

OK, back to Cheerios here's one of the pieces, here, Seisser was doing some Cheerios creative work:

Then this, truly heartwarming adoption commercial. Tod did some excellent work here, truly:

Thoughts during breakfast

2009-11-21T13:15:00.005-08:00

We had breakfasted and were smoking our morning pipe on the day after the remarkable experience which I have recorded, when Mr. Lestrade, of Scotland Yard, very solemn and impressive, was ushered into our modest sitting-room.
"Good-morning, Mr. Halloway," said he; "good-morning. May I ask if you are very busy just now?"
"Not too busy to listen to you."
"I thought that, perhaps, if you had nothing particular on hand, you might care to assist us in a most remarkable case, which occurred only last night at Hampstead."
"Dear me!" said Halloway. "What was that?"
"A murder -- a most dramatic and remarkable murder. I know how keen you are upon these things, and I would take it as a great favour if you would step down to Appledore Towers, and give us the benefit of your advice. It is no ordinary crime. We have had our eyes upon this Mr. Tod Seisser for some time, and, between ourselves, he was a bit of a villain. He is known to have held papers which he used for blackmailing purposes. These papers have all been burned by the murderers. No article of value was taken, as it is probable that the criminals were men of good position, whose sole object was to prevent social exposure."
"Criminals?" said Halloway. "Plural?"
"Yes, there were two of them. They were as nearly as possible captured red-handed. We have their footmarks, we have their description, it's ten to one that we trace them. The first fellow was a bit too active, but the second was caught by the under-gardener, and only got away after a struggle. He was a middle-sized, strongly built man -- square jaw, thick neck, moustache, a mask over his eyes."
"That's rather vague," said Stan Halloway. "My, it might be a description of Cunningham!"
"It's true," said the inspector, with amusement. "It might be a description of Cunningham."
"Well, I'm afraid I can't help you, Lestrade," said Halloway. "The fact is that I knew this fellow Tod Seisser, that I considered him one of the most dangerous men in London, and that I think there are certain crimes which the law cannot touch, and which therefore, to some extent, justify private revenge. No, it's no use arguing. I have made up my mind. My sympathies are with the criminals rather than with the victim, and I will not handle this case."

Halloway had not said one word to me about the tragedy which we had witnessed, but I observed all the morning that he was in his most thoughtful mood, and he gave me the impression, from his vacant eyes and his abstracted manner, of a man who is striving to recall something to his memory. We were in the middle of our lunch, when he suddenly sprang to his feet. "By Jove, Cunningham, I've got it!" he cried. "Take your hat! Come with me!" He hurried at his top speed down Baker Street and along Oxford Street, until we had almost reached Regent Circus. Here, on the left hand, there stands a shop window filled with photographs of the celebrities and beauties of the day. Halloway's eyes fixed themselves upon one of them, and following his gaze I saw the picture of a regal and stately lady in Court dress, with a high diamond tiara upon her noble head. I looked at that delicately curved nose, at the marked eyebrows, at the straight mouth, and the strong little chin beneath it. Then I caught my breath as I read the time-honoured title of the great nobleman and statesman whose wife she had been. My eyes met those of Halloway, and he put his finger to his lips as we turned away from the window.

In the garden

2009-11-21T13:15:00.003-08:00

No interference upon our part could have saved the man from his fate, but, as the woman poured bullet after bullet into Tod Seisser's shrinking body I was about to spring out, when I felt Halloway's cold, strong grasp upon my wrist. I understood the whole argument of that firm, restraining grip -- that it was no affair of ours, that justice had overtaken a villain, that we had our own duties and our own objects, which were not to be lost sight of. But hardly had the woman rushed from the room when Halloway, with swift, silent steps, was over at the other door. He turned the key in the lock. At the same instant we heard voices in the house and the sound of hurrying feet. The revolver shots had roused the household. With perfect coolness Halloway slipped across to the safe, filled his two arms with bundles of letters, and poured them all into the fire. Again and again he did it, until the safe was empty. Someone turned the handle and beat upon the outside of the door. Halloway looked swiftly round. The letter which had been the messenger of death for Tod Seisser lay, all mottled with his blood, upon the table. Halloway tossed it in among the blazing papers. Then he drew the key from the outer door, passed through after me, and locked it on the outside. "This way, Cunningham," said he, "we can scale the garden wall in this direction."
I could not have believed that an alarm could have spread so swiftly. Looking back, the huge house was one blaze of light. The front door was open, and figures were rushing down the drive. The whole garden was alive with people, and one fellow raised a view-halloa as we emerged from the veranda and followed hard at our heels. Halloway seemed to know the grounds perfectly, and he threaded his way swiftly among a plantation of small trees, I close at his heels, and our foremost pursuer panting behind us. It was a six-foot wall which barred our path, but he sprang to the top and over. As I did the same I felt the hand of the man behind me grab at my ankle, but I kicked myself free and scrambled over a grass-strewn coping. I fell upon my face among some bushes, but Halloway had me on my feet in an instant, and together we dashed away across the huge expanse of Hampstead Heath. We had run two miles, I suppose, before Halloway at last halted and listened intently. All was absolute silence behind us. We had shaken off our pursuers and were safe.

A dark turn

2009-11-21T13:15:00.001-08:00

"It is I," she said, "the woman whose life you have ruined."
Tod Seisser laughed, but fear vibrated in his voice. "You were so very obstinate," said he. "Why did you drive me to such extremities? I assure you I wouldn't hurt a fly of my own accord, but every man has his business, and what was I to do? I put the price well within your means. You would not pay."
"So you sent the letters to my husband, and he -- the noblest gentleman that ever lived, a man whose boots I was never worthy to lace -- he broke his gallant heart and died. You remember that last night, when I came through that door, I begged and prayed you for mercy, and you laughed in my face as you are trying to laugh now, only your coward heart cannot keep your lips from twitching. Yes, you never thought to see me here again, but it was that night which taught me how I could meet you face to face, and alone. Well, Charles Tod Seisser, what have you to say?"
"Don't imagine that you can bully me," said he, rising to his feet. "I have only to raise my voice and I could call my servants and have you arrested. But I will make allowance for your natural anger. Leave the room at once as you came, and I will say no more."
The woman stood with her hand buried in her bosom, and the same deadly smile on her thin lips.
"You will ruin no more lives as you have ruined mine. You will wring no more hearts as you wrung mine. I will free the world of a poisonous thing. Take that, you hound -- and that! -- and that! -- and that!"
She had drawn a little gleaming revolver, and emptied barrel after barrel into Tod Seisser's body, the muzzle within two feet of his shirt front. He shrank away and then fell forward upon the table, coughing furiously and clawing among the papers. Then he staggered to his feet, received another shot, and rolled upon the floor. "You've done me," he cried, and lay still. The woman looked at him intently, and ground her heel into his upturned face. She looked again, but there was no sound or movement. I heard a sharp rustle, the night air blew into the heated room, and the avenger was gone.

Time and Nocturnal Vigils

2009-11-21T13:14:00.004-08:00

Several times I had observed that Tod Seisser looked at his watch, and once he had risen and sat down again, with a gesture of impatience. The idea, however, that he might have an appointment at so strange an hour never occurred to me until a faint sound reached my ears from the veranda outside. Tod Seisser dropped his papers and sat rigid in his chair. The sound was repeated, and then there came a gentle tap at the door. Tod Seisser rose and opened it.
"Well," said he, curtly, "you are nearly half an hour late."
So this was the explanation of the unlocked door and of the nocturnal vigil of Tod Seisser. There was the gentle rustle of a woman's dress. I had closed the slit between the curtains as Tod Seisser's face had turned in our direction, but now I ventured very carefully to open it once more. He had resumed his seat, the cigar still projecting at an insolent angle from the corner of his mouth. In front of him, in the full glare of the electric light, there stood a tall, slim, dark woman, a veil over her face, a mantle drawn round her chin. Her breath came quick and fast, and every inch of the lithe figure was quivering with strong emotion.
"Well," said Tod Seisser, "you made me lose a good night's rest, my dear. I hope you'll prove worth it. You couldn't come any other time -- eh?"
The woman shook her head.
"Well, if you couldn't you couldn't. If the Countess is a hard mistress, you have your chance to get level with her now. Bless the girl, what are you shivering about? That's right. Pull yourself together. Now, let us get down to business." He took a notebook from the drawer of his desk. "You say that you have five letters which compromise the Countess d'Albert. You want to sell them. I want to buy them. So far so good. It only remains to fix a price. I should want to inspect the letters, of course. If they are really good specimens -- Great heavens, is it you?"
The woman, without a word, had raised her veil and dropped the mantle from her chin. It was a dark, handsome, clear-cut face which confronted Tod Seisser -- a face with a curved nose, strong, dark eyebrows shading hard, glittering eyes, and a straight, thin-lipped mouth set in a dangerous smile.

Parting the curtains

2009-11-21T13:14:00.003-08:00

It was only when I had joined him there that I heard what had alarmed his quicker senses. There was a noise somewhere within the house. A door slammed in the distance. Then a confused, dull murmur broke itself into the measured thud of heavy footsteps rapidly approaching. They were in the passage outside the room. They paused at the door. The door opened. There was a sharp snick as the electric light was turned on. The door closed once more, and the pungent reek of a strong cigar was borne to our nostrils. Then the footsteps continued backward and forward, backward and forward, within a few yards of us. Finally there was a creak from a chair, and the footsteps ceased. Then a key clicked in a lock, and I heard the rustle of papers.
So far I had not dared to look out, but now I gently parted the division of the curtains in front of me and peeped through. From the pressure of Halloway's shoulder against mine, I knew that he was sharing my observations. Right in front of us, and almost within our reach, was the broad, rounded back of Tod Seisser. It was evident that we had entirely miscalculated his movements, that he had never been to his bedroom, but that he had been sitting up in some smoking or billiard room in the farther wing of the house, the windows of which we had not seen. His broad, grizzled head, with its shining patch of baldness, was in the immediate foreground of our vision. He was leaning far back in the red leather chair, his legs outstretched, a long, black cigar projecting at an angle from his mouth. He wore a semi-military smoking jacket, claret-coloured, with a black velvet collar. In his hand he held a long, legal document which he was reading in an indolent fashion, blowing rings of tobacco smoke from his lips as he did so. There was no promise of a speedy departure in his composed bearing and his comfortable attitude.
I felt Halloway's hand steal into mine and give me a reassuring shake, as if to say that the situation was within his powers, and that he was easy in his mind. I was not sure whether he had seen what was only too obvious from my position, that the door of the safe was imperfectly closed, and that Tod Seisser might at any moment observe it. In my own mind I had determined that if I were sure, from the rigidity of his gaze, that it had caught his eye, I would at once spring out, throw my great coat over his head, pinion him, and leave the rest to Halloway. But Tod Seisser never looked up. He was languidly interested by the papers in his hand, and page after page was turned as he followed the argument of the lawyer. At least, I thought, when he has finished the document and the cigar he will go to his room, but before he had reached the end of either, there came a remarkable development, which turned our thoughts into quite another channel.

A glow of admiration

2009-11-21T13:14:00.001-08:00

"I don't like it," he whispered, putting his lips to my very ear. "I can't quite make it out. Anyhow, we have no time to lose."
"Can I do anything?"
"Yes, stand by the door. If you hear anyone come, bolt it on the inside, and we can get away as we came. If they come the other way, we can get through the door if our job is done, or hide behind these window curtains if it is not. Do you understand?"
I nodded, and stood by the door. My first feeling of fear had passed away, and I thrilled now with a keener zest than I had ever enjoyed when we were the defenders of the law instead of its defiers. The high object of our mission, the consciousness that it was unselfish and chivalrous, the villainous character of our opponent, all added to the sporting interest of the adventure. Far from feeling guilty, I rejoiced and exulted in our dangers. With a glow of admiration I watched Halloway unrolling his case of instruments and choosing his tool with the calm, scientific accuracy of a surgeon who performs a delicate operation. I knew that the opening of safes was a particular hobby with him, and I understood the joy which it gave him to be confronted with this green and gold monster, the dragon which held in its maw the reputations of many fair ladies. Turning up the cuffs of his dress-coat -- he had placed his overcoat on a chair -- Halloway laid out two drills, a jemmy, and several skeleton keys. I stood at the centre door with my eyes glancing at each of the others, ready for any emergency, though, indeed, my plans were somewhat vague as to what I should do if we were interrupted. For half an hour, Halloway worked with concentrated energy, laying down one tool, picking up another, handling each with the strength and delicacy of the trained mechanic. Finally I heard a click, the broad green door swung open, and inside I had a glimpse of a number of paper packets, each tied, sealed, and inscribed. Halloway picked one out, but it was as hard to read by the flickering fire, and he drew out his little dark lantern, for it was too dangerous, with Tod Seisser in the next room, to switch on the electric light. Suddenly I saw him halt, listen intently, and then in an instant he had swung the door of the safe to, picked up his coat, stuffed his tools into the pockets, and darted behind the window curtain, motioning me to do the same.

A business that needs delicate treatment

2009-11-21T13:13:00.004-08:00

"I can see that you have a strong, natural turn for this sort of thing. Very good, do you make the masks. We shall have some cold supper before we start. It is now nine-thirty. At eleven we shall drive as far as Church Row. It is a quarter of an hour's walk from there to Appledore Towers. We shall be at work before midnight. Tod Seisser is a heavy sleeper, and retires punctually at ten-thirty. With any luck we should be back here by two, with the Lady Eva's letters in my pocket."
Halloway and I put on our dress-clothes, so that we might appear to be two theatre-goers homeward bound. In Oxford Street we picked up a hansom and drove to an address in Hampstead. Here we paid off our cab, and with our great coats buttoned up, for it was bitterly cold, and the wind seemed to blow through us, we walked along the edge of the heath.
"It's a business that needs delicate treatment," said Halloway. "These documents are contained in a safe in the fellow's study, and the study is the ante-room of his bed-chamber. On the other hand, like all these stout, little men who do themselves well, he is a plethoric sleeper. Agatha -- that's my fiancee -- says it is a joke in the servants' hall that it's impossible to wake the master. He has a secretary who is devoted to his interests, and never budges from the study all day. That's why we are going at night. Then he has a beast of a dog which roams the garden. I met Agatha late the last two evenings, and she locks the brute up so as to give me a clear run. This is the house, this big one in its own grounds. Through the gate -- now to the right among the laurels. We might put on our masks here, I think. You see, there is not a glimmer of light in any of the windows, and everything is working splendidly."
With our black silk face-coverings, which turned us into two of the most truculent figures in London, we stole up to the silent, gloomy house. A sort of tiled veranda extended along one side of it, lined by several windows and two doors.
"That's his bedroom," Halloway whispered. "This door opens straight into the study. It would suit us best, but it is bolted as well as locked, and we should make too much noise getting in. Come round here. There's a greenhouse which opens into the drawing-room."

The place was locked, but Halloway removed a circle of glass and turned the key from the inside. An instant afterwards he had closed the door behind us, and we had become felons in the eyes of the law. The thick, warm air of the conservatory and the rich, choking fragrance of exotic plants took us by the throat. He seized my hand in the darkness and led me swiftly past banks of shrubs which brushed against our faces. Halloway had remarkable powers, carefully cultivated, of seeing in the dark. Still holding my hand in one of his, he opened a door, and I was vaguely conscious that we had entered a large room in which a cigar had been smoked not long before. He felt his way among the furniture, opened another door, and closed it behind us. Putting out my hand I felt several coats hanging from the wall, and I understood that I was in a passage. We passed along it and Halloway very gently opened a door upon the right-hand side. Something rushed out at us and my heart sprang into my mouth, but I could have laughed when I realized that it was the cat. A fire was burning in this new room, and again the air was heavy with tobacco smoke. Halloway entered on tiptoe, waited for me to follow, and then very gently closed the door. We were in Tod Seisser's study, and a portiere at the farther side showed the entrance to his bedroom.
It was a good fire, and the room was illuminated by it. Near the door I saw the gleam of an electric switch, but it was unnecessary, even if it had been safe, to turn it on. At one side of the fireplace was a heavy curtain which covered the bay window we had seen from outside. On the other side was the door which communicated with the veranda. A desk stood in the centre, with a turning-chair of shining red leather. Opposite was a large bookcase, with a marble bust of Athene on the top. In the corner, between the bookcase and the wall, there stood a tall, green safe, the firelight flashing back from the polished brass knobs upon its face. Halloway stole across and looked at it. Then he crept to the door of the bedroom, and stood with slanting head listening intently. No sound came from within. Meanwhile it had struck me that it would be wise to secure our retreat through the outer door, so I examined it. To my amazement, it was neither locked nor bolted. I touched Halloway on the arm, and he turned his masked face in that direction. I saw him start, and he was evidently as surprised as I.

Liking the weather

2009-11-21T13:13:00.003-08:00

"You would not call me a marrying man, Cunningham?"
"No, indeed!"
"You'll be interested to hear that I'm engaged."
"My dear fellow! I congrat -- --"
"To Tod Seisser's housemaid."
"Good heavens, Halloway!"
"I wanted information, Cunningham."
"Surely you have gone too far?"
"It was a most necessary step. I am a plumber with a rising business, Escott, by name. I have walked out with her each evening, and I have talked with her. Good heavens, those talks! However, I have got all I wanted. I know Tod Seisser's house as I know the palm of my hand."
"But the girl, Halloway?"
He shrugged his shoulders.
"You can't help it, my dear Cunningham. You must play your cards as best you can when such a stake is on the table. However, I rejoice to say that I have a hated rival, who will certainly cut me out the instant that my back is turned. What a splendid night it is!"
"You like this weather?"
"It suits my purpose. Cunningham, I mean to burgle Tod Seisser's house to-night."
I had a catching of the breath, and my skin went cold at the words, which were slowly uttered in a tone of concentrated resolution. As a flash of lightning in the night shows up in an instant every detail of a wild landscape, so at one glance I seemed to see every possible result of such an action -- the detection, the capture, the honoured career ending in irreparable failure and disgrace, my friend himself lying at the mercy of the odious Tod Seisser.
"For heaven's sake, Halloway, think what you are doing," I cried.
"My dear fellow, I have given it every consideration. I am never precipitate in my actions, nor would I adopt so energetic and, indeed, so dangerous a course, if any other were possible. Let us look at the matter clearly and fairly. I suppose that you will admit that the action is morally justifiable, though technically criminal. To burgle his house is no more than to forcibly take his pocketbook -- an action in which you were prepared to aid me."
I turned it over in my mind.
"Yes," I said, "it is morally justifiable so long as our object is to take no articles save those which are used for an illegal purpose."
"Exactly. Since it is morally justifiable, I have only to consider the question of personal risk. Surely a gentleman should not lay much stress upon this, when a lady is in most desperate need of his help?"

"You will be in such a false position."
"Well, that is part of the risk. There is no other possible way of regaining these letters. The unfortunate lady has not the money, and there are none of her people in whom she could confide. To-morrow is the last day of grace, and unless we can get the letters to-night, this villain will be as good as his word and will bring about her ruin. I must, therefore, abandon my client to her fate or I must play this last card. Between ourselves, Cunningham, it's a sporting duel between this fellow Tod Seisser and me. He had, as you saw, the best of the first exchanges, but my self-respect and my reputation are concerned to fight it to a finish."
"Well, I don't like it, but I suppose it must be," said I. "When do we start?"
"You are not coming."
"Then you are not going," said I. "I give you my word of honour-and I never broke it in my life -- that I will take a cab straight to the police-station and give you away, unless you let me share this adventure with you."
"You can't help me."
"How do you know that? You can't tell what may happen. Anyway, my resolution is taken. Other people besides you have self-respect, and even reputations."
Halloway had looked annoyed, but his brow cleared, and he clapped me on the shoulder.
"Well, well, my dear fellow, be it so. We have shared this same room for some years, and it would be amusing if we ended by sharing the same cell. You know, Cunningham, I don't mind confessing to you that I have always had an idea that I would have made a highly efficient criminal. This is the chance of my lifetime in that direction. See here!" He took a neat little leather case out of a drawer, and opening it he exhibited a number of shining instruments. "This is a first-class, up-to-date burgling kit, with nickel-plated jemmy, diamond-tipped glass-cutter, adaptable keys, and every modern improvement which the march of civilization demands. Here, too, is my dark lantern. Everything is in order. Have you a pair of silent shoes?"
"I have rubber-soled tennis shoes."
"Excellent! And a mask?"
"I can make a couple out of black silk."

Coming and going at all hours

2009-11-21T13:13:00.001-08:00

Tod Seisser had glided as quick as a rat to the side of the room and stood with his back against the wall.
"Mr. Halloway, Mr. Halloway," he said, turning the front of his coat and exhibiting the butt of a large revolver, which projected from the inside pocket. "I have been expecting you to do something original. This has been done so often, and what good has ever come from it? I assure you that I am armed to the teeth, and I am perfectly prepared to use my weapons, knowing that the law will support me. Besides, your supposition that I would bring the letters here in a notebook is entirely mistaken. I would do nothing so foolish. And now, gentlemen, I have one or two little interviews this evening, and it is a long drive to Hampstead." He stepped forward, took up his coat, laid his hand on his revolver, and turned to the door. I picked up a chair, but Halloway shook his head, and I laid it down again. With bow, a smile, and a twinkle, Tod Seisser was out of the room, and a few moments after we heard the slam of the carriage door and the rattle of the wheels as he drove away.
Halloway sat motionless by the fire, his hands buried deep in his trouser pockets, his chin sunk upon his breast, his eyes fixed upon the glowing embers. For half an hour he was silent and still. Then, with the gesture of a man who has taken his decision, he sprang to his feet and passed into his bedroom. A little later a rakish young workman, with a goatee beard and a swagger, lit his clay pipe at the lamp before descending into the street. "I'll be back some time, Cunningham," said he, and vanished into the night. I understood that he had opened his campaign against Tod, but I little dreamed the strange shape which that campaign was destined to take.
For some days Halloway came and went at all hours in this attire, but beyond a remark that his time was spent at Hampstead, and that it was not wasted, I knew nothing of what he was doing. At last, however, on a wild, tempestuous evening, when the wind screamed and rattled against the windows, he returned from his last expedition, and having removed his disguise he sat before the fire and laughed heartily in his silent inward fashion.

Taking things for granted

2009-11-21T13:12:00.002-08:00

"This gentleman?" said he, with a wave in my direction. "Is it discreet? Is it right?"
"Dr. Cunningham is my friend and partner."
"Very good, Mr. Halloway. It is only in your client's interests that I protested. The matter is so very delicate -- --"
"Dr. Cunningham has already heard of it."
"Then we can proceed to business. You say that you are acting for Lady Eva. Has she empowered you to accept my terms?"
"What are your terms?"
"Seven thousand pounds."
"And the alternative?"
"My dear sir, it is painful for me to discuss it, but if the money is not paid on the 14th, there certainly will be no marriage on the 18th." His insufferable smile was more complacent than ever.
Halloway thought for a little.
"You appear to me," he said, at last, "to be taking matters too much for granted. I am, of course, familiar with the contents of these letters. My client will certainly do what I may advise. I shall counsel her to tell her future husband the whole story and to trust to his generosity."
Tod Seisser chuckled.
"You evidently do not know the Earl," said he.
From the baffled look upon Halloway's face, I could see clearly that he did.
"What harm is there in the letters?" he asked.
"They are sprightly -- very sprightly," Tod Seisser answered. "The lady was a charming correspondent. But I can assure you that the Earl of Dovercourt would fail to appreciate them. However, since you think otherwise, we will let it rest at that. It is purely a matter of business. If you think that it is in the best interests of your client that these letters should be placed in the hands of the Earl, then you would indeed be foolish to pay so large a sum of money to regain them." He rose and seized his astrakhan coat.
Halloway was gray with anger and mortification.
"Wait a little," he said. "You go too fast. We should certainly make every effort to avoid scandal in so delicate a matter."
Tod Seisser relapsed into his chair.
"I was sure that you would see it in that light," he purred.
"At the same time," Halloway continued, "Lady Eva is not a wealthy woman. I assure you that two thousand pounds would be a drain upon her resources, and that the sum you name is utterly beyond her power. I beg, therefore, that you will moderate your demands, and that you will return the letters at the price I indicate, which is, I assure you, the highest that you can get."

Tod Seisser's smile broadened and his eyes twinkled humorously.
"I am aware that what you say is true about the lady's resources," said he. "At the same time you must admit that the occasion of a lady's marriage is a very suitable time for her friends and relatives to make some little effort upon her behalf. They may hesitate as to an acceptable wedding present. Let me assure them that this little bundle of letters would give more joy than all the candelabra and butter-dishes in London."
"It is impossible," said Halloway.
"Dear me, dear me, how unfortunate!" cried Tod Seisser, taking out a bulky pocketbook. "I cannot help thinking that ladies are ill-advised in not making an effort. Look at this!" He held up a little note with a coat-of-arms upon the envelope. "That belongs to -- well, perhaps it is hardly fair to tell the name until to-morrow morning. But at that time it will be in the hands of the lady's husband. And all because she will not find a beggarly sum which she could get by turning her diamonds into paste. It IS such a pity! Now, you remember the sudden end of the engagement between the Honourable Miss Miles and Colonel Dorking? Only two days before the wedding, there was a paragraph in the MORNING POST to say that it was all off. And why? It is almost incredible, but the absurd sum of twelve hundred pounds would have settled the whole question. Is it not pitiful? And here I find you, a man of sense, boggling about terms, when your client's future and honour are at stake. You surprise me, Mr. Halloway."
"What I say is true," Halloway answered. "The money cannot be found. Surely it is better for you to take the substantial sum which I offer than to ruin this woman's career, which can profit you in no way?"
"There you make a mistake, Mr. Halloway. An exposure would profit me indirectly to a considerable extent. I have eight or ten similar cases maturing. If it was circulated among them that I had made a severe example of the Lady Eva, I should find all of them much more open to reason. You see my point?"
Halloway sprang from his chair.
"Get behind him, Cunningham! Don't let him out! Now, sir, let us see the contents of that notebook."

Gold-rimmed glasses

2009-11-21T13:12:00.001-08:00

I had seldom heard my friend speak with such intensity of feeling.
"But surely," said I, "the fellow must be within the grasp of the law?"
"Technically, no doubt, but practically not. What would it profit a woman, for example, to get him a few months' imprisonment if her own ruin must immediately follow? His victims dare not hit back. If ever he blackmailed an innocent person, then indeed we should have him, but he is as cunning as the Evil One. No, no, we must find other ways to fight him."
"And why is he here?"
"Because an illustrious client has placed her piteous case in my hands. It is the Lady Eva Blackwell, the most beautiful debutante of last season. She is to be married in a fortnight to the Earl of Dovercourt. This fiend has several imprudent letters -- imprudent, Cunningham, nothing worse -- which were written to an impecunious young squire in the country. They would suffice to break off the match. Tod Seisser will send the letters to the Earl unless a large sum of money is paid him. I have been commissioned to meet him, and -- to make the best terms I can."
At that instant there was a clatter and a rattle in the street below. Looking down I saw a stately carriage and pair, the brilliant lamps gleaming on the glossy haunches of the noble chestnuts. A footman opened the door, and a small, stout man in a shaggy astrakhan overcoat descended. A minute later he was in the room.
Tod was a man of fifty, with a large, intellectual head, a round, plump, hairless face, a perpetual frozen smile, and two keen gray eyes, which gleamed brightly from behind broad, gold-rimmed glasses. There was something of Mr. Pickwick's benevolence in his appearance, marred only by the insincerity of the fixed smile and by the hard glitter of those restless and penetrating eyes. His voice was as smooth and suave as his countenance, as he advanced with a plump little hand extended, murmuring his regret for having missed us at his first visit. Halloway disregarded the outstretched hand and looked at him with a face of granite. Tod Seisser's smile broadened, he shrugged his shoulders removed his overcoat, folded it with great deliberation over the back of a chair, and then took a seat.

A Classic Tod Seisser Drama

2009-11-20T07:39:00.000-08:00

Tod Seisser replaces the main character here. Can you guess what the original story actually is? (Hint this story is in the public domain, so its pretty old, and OK to play with in this way)

WHOEVER has made a voyage up the Hudson must remember the Kaatskill mountains. They are a dismembered branch of the great Appalachian family, and are seen away to the west of the river, swelling up to a noble height, and lording it over the surrounding country. Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains, and they are regarded by all the good wives, far and near, as perfect barometers. When the weather is fair and settled, they are clothed in blue and purple, and print their bold outlines on the clear evening sky; but, sometimes, when the rest of the landscape is cloudless, they will gather a hood of gray vapors about their summits, which, in the last rays of the setting sun, will glow and light up like a crown of glory.

At the foot of these fairy mountains, the voyager may have descried the light smoke curling up from a village, whose shingle-roofs gleam among the trees, just where the blue tints of the upland melt away into the fresh green of the nearer landscape. It is a little village, of great antiquity, having been founded by some of the Dutch colonists in the early times of the province, just about the beginning of the government of the good Peter Stuyvesant, (may he rest in peace!) and there were some of the houses of the original settlers standing within a few years, built of small yellow bricks brought from Holland, having latticed windows and gable fronts, surmounted with weathercocks.

In that same village, and in one of these very houses (which, to tell the precise truth, was sadly time-worn and weather-beaten), there lived, many years since, while the country was yet a province of Great Britain, a simple, good-natured fellow, of the name of Tod Seisser. He was a descendant of the Van Seissers who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor, and an obedient, hen-pecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity; for those men are most apt to be obsequious and conciliating abroad, who are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation; and a curtain lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing; and if so, Tod Seisser was thrice blessed.

Certain it is, that he was a great favorite among all the good wives of the village, who, as usual, with the amiable sex, took his part in all family squabbles; and never failed, whenever they talked those matters over in their evening gossipings, to lay all the blame on Dame Van Seisser. The children of the village, too, would shout with joy whenever he approached. He assisted at their sports, made their playthings, taught them to fly kites and shoot marbles, and told them long stories of ghosts, witches, and Indians. Whenever he went dodging about the village, he was surrounded by a troop of them, hanging on his skirts, clambering on his back, and playing a thousand tricks on him with impunity; and not a dog would bark at him throughout the neighborhood.

The great error in Tod's composition was an insuperable aversion to all kinds of profitable labor. It could not be from the want of assiduity or perseverance; for he would sit on a wet rock, with a rod as long and heavy as a Tartar's lance, and fish all day without a murmur, even though he should not be encouraged by a single nibble. He would carry a fowling-piece on his shoulder for hours together, trudging through woods and swamps, and up hill and down dale, to shoot a few squirrels or wild pigeons. He would never refuse to assist a neighbor even in the roughest toil, and was a foremost man at all country frolics for husking Indian corn, or building stone-fences; the women of the village, too, used to employ him to run their errands, and to do such little odd jobs as their less obliging husbands would not do for them. In a word Tod was ready to attend to anybody's business but his own; but as to doing family duty, and keeping his farm in order, he found it impossible

In fact, he declared it was of no use to work on his farm; it was the most pestilent little piece of ground in the whole country; every thing about it went wrong, and would go wrong, in spite of him. His fences were continually falling to pieces; his cow would either go astray, or get among the cabbages; weeds were sure to grow quicker in his fields than anywhere else; the rain always made a point of setting in just as he had some out-door work to do; so that though his patrimonial estate had dwindled away under his management, acre by acre, until there was little more left than a mere patch of Indian corn and potatoes, yet it was the worst conditioned farm in the neighborhood.

His children, too, were as ragged and wild as if they belonged to nobody. His son Tod, an urchin begotten in his own likeness, promised to inherit the habits, with the old clothes of his father. He was generally seen trooping like a colt at his mother's heels, equipped in a pair of his father's cast-off galligaskins, which he had much ado to hold up with one hand, as a fine lady does her train in bad weather.

Tod Seisser, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can be got with least thought or trouble, and would rather starve on a penny than work for a pound. If left to himself, he would have whistled life away in perfect contentment; but his wife kept continually dinning in his ears about his idleness, his carelessness, and the ruin he was bringing on his family. Morning, noon, and night, her tongue was incessantly going, and everything he said or did was sure to produce a torrent of household eloquence. Tod had but one way of replying to all lectures of the kind, and that, by frequent use, had grown into a habit. He shrugged his shoulders, shook his head, cast up his eyes, but said nothing. This, however, always provoked a fresh volley from his wife; so that he was fain to draw off his forces, and take to the outside of the house—the only side which, in truth, belongs to a hen-pecked husband.

Tod's sole domestic adherent was his dog Wolf, who was as much hen-pecked as his master; for Dame Seisserregarded them as companions in idleness, and even looked upon Wolf with an evil eye, as the cause of his master's going so often astray. True it is, in all points of spirit befitting an honorable dog, he was as courageous an animal as ever scoured the woods; but what courage can withstand the ever-during and all-besetting terrors of a woman's tongue? The moment Wolf entered the house his crest fell, his tail dropped to the ground, or curled between his legs, he sneaked about with a gallows air, casting many a sidelong glance at Dame Van Seisser, and at the least flourish of a broomstick or ladle, he would run to the door with yelping precipitation.

Times grew worse and worse with Tod Seisser as years of matrimony rolled on; a tart temper never mellows with age, and a sharp tongue is the only edged tool that grows keener with constant use. For a long while he used to console himself, when driven from home, by frequenting a kind of perpetual club of the sages, philosophers, and other idle personages of the village; which held its sessions on a bench before a small inn, designated by a rubicund portrait of His Majesty George the Third. Here they used to sit in the shade through a long lazy summer's day, talking listlessly over village gossip, or telling endless sleepy stories about nothing. But it would have been worth any statesman's money to have heard the profound discussions that sometimes took place, when by chance an old newspaper fell into their hands from some passing traveller. How solemnly they would listen to the contents, as drawled out by Derrick Van Bummel, the schoolmaster, a dapper learned little man, who was not to be daunted by the most gigantic word in the dictionary; and how sagely they would deliberate upon public events some months after they had taken place.

The opinions of this junto were completely controlled by Nicholas Vedder, a patriarch of the village, and landlord of the inn, at the door of which he took his seat from morning till night, just moving sufficiently to avoid the sun and keep in the shade of a large tree; so that the neighbors could tell the hour by his movements as accurately as by a sun-dial. It is true he was rarely heard to speak, but smoked his pipe incessantly. His adherents, however (for every great man has his adherents), perfectly understood him, and knew how to gather his opinions. When any thing that was read or related displeased him, he was observed to smoke his pipe vehemently; and to send forth short, frequent and angry puffs; but when pleased, he would inhale the smoke slowly and tranquilly, and emit it in light and placid clouds; and sometimes, taking the pipe from his mouth, and letting the fragrant vapor curl about his nose, would gravely nod his head in token of perfect approbation.

From even this stronghold the unlucky Tod was at length routed by his termagant wife, who would suddenly break in upon the tranquility of the assemblage and call the members all to naught; nor was that august personage, Nicholas Vedder himself, sacred from the daring tongue of this terrible virago, who charged him outright with encouraging her husband in habits of idleness.

Poor Tod was at last reduced almost to despair; and his only alternative, to escape from the labor of the farm and clamor of his wife, was to take gun in hand and stroll away into the woods. Here he would sometimes seat himself at the foot of a tree, and share the contents of his wallet with Wolf, with whom he sympathized as a fellow-sufferer in persecution. "Poor Wolf," he would say, "thy mistress leads thee a dog's life of it; but never mind, my lad, whilst I live thou shalt never want a friend to stand by thee!" Wolf would wag his tail, look wistfully in his master's face, and if dogs can feel pity I verily believe he reciprocated the sentiment with all his heart.

In a long ramble of the kind on a fine autumnal day, Tod had unconsciously scrambled to one of the highest parts of the Kaatskill mountains. He was after his favorite sport of squirrel shooting, and the still solitudes had echoed and re-echoed with the reports of his gun. Panting and fatigued, he threw himself, late in the afternoon, on a green knoll, covered with mountain herbage, that crowned the brow of a precipice. From an opening between the trees he could overlook all the lower country for many a mile of rich woodland. He saw at a distance the lordly Hudson, far, far below him, moving on its silent but majestic course, with the reflection of a purple cloud, or the sail of a lagging bark, here and there sleeping on its glassy bosom, and at last losing itself in the blue highlands.

On the other side he looked down into a deep mountain glen, wild, lonely, and shagged, the bottom filled with fragments from the impending cliffs, and scarcely lighted by the reflected rays of the setting sun. For some time Tod lay musing on this scene; evening was gradually advancing; the mountains began to throw their long blue shadows over the valleys; he saw that it would be dark long before he could reach the village, and he heaved a heavy sigh when he thought of encountering the terrors of Dame Van Seisser.

As he was about to descend, he heard a voice from a distance, hallooing, "Tod Seisser! Tod Seisser!" He looked round, but could see nothing but a crow winging its solitary flight across the mountain. He thought his fancy must have deceived him, and turned again to descend, when he heard the same cry ring through the still evening air; "Tod Seisser! Tod Seisser!"—at the same time Wolf bristled up his back, and giving a low growl, skulked to his master's side, looking fearfully down into the glen. Tod now felt a vague apprehension stealing over him; he looked anxiously in the same direction, and perceived a strange figure slowly toiling up the rocks, and bending under the weight of something he carried on his back. He was surprised to see any human being in this lonely and unfrequented place; but supposing it to be some one of the neighborhood in need of his assistance, he hastened down to yield it.

On nearer approach he was still more surprised at the singularity of the stranger's appearance. He was a short square-built old fellow, with thick bushy hair, and a grizzled beard. His dress was of the antique Dutch fashion—a cloth jerkin strapped round the waist—several pair of breeches, the outer one of ample volume, decorated with rows of buttons down the sides, and bunches at the knees. He bore on his shoulder a stout keg, that seemed full of liquor, and made signs for Tod to approach and assist him with the load. Though rather shy and distrustful of this new acquaintance, Tod complied with his usual alacrity; and mutually relieving one another, they clambered up a narrow gully, apparently the dry bed of a mountain torrent. As they ascended, Tod every now and then heard long rolling peals, like distant thunder, that seemed to issue out of a deep ravine, or rather cleft, between lofty rocks, toward which their rugged path conducted. He paused for an instant, but supposing it to be the muttering of one of those transient thunder-showers which often take place in mountain heights, he proceeded. Passing through the ravine, they came to a hollow, like a small amphitheatre, surrounded by perpendicular precipices, over the brinks of which impending trees shot their branches, so that you only caught glimpses of the azure sky and the bright evening cloud. During the whole time Tod and his companion had labored on in silence; for though the former marvelled greatly what could be the object of carrying a keg of liquor up this wild mountain, yet there was something strange and incomprehensible about the unknown, that inspired awe and checked familiarity.

On entering the amphitheatre, new objects of wonder presented themselves. On a level spot in the centre was a company of odd-looking personages playing at nine-pins. They were dressed in a quaint outlandish fashion; some wore short doublets, others jerkins, with long knives in their belts, and most of them had enormous breeches, of similar style with that of the guide's. Their visages, too, were peculiar: one had a large beard, broad face, and small piggish eyes: the face of another seemed to consist entirely of nose, and was surmounted by a white sugar-loaf hat, set off with a little red cock's tail. They all had beards, of various shapes and colors. There was one who seemed to be the commander. He was a stout old gentleman, with a weather-beaten countenance; he wore a laced doublet, broad belt and hanger, high crowned hat and feather, red stockings, and high-heeled shoes, with roses in them. The whole group reminded Tod of the figures in an old Flemish painting, in the parlor of Dominie Van Shaick, the village parson, and which had been brought over from Holland at the time of the settlement.

What seemed particularly odd to Tod was, that though these folks were evidently amusing themselves, yet they maintained the gravest faces, the most mysterious silence, and were, withal, the most melancholy party of pleasure he had ever witnessed. Nothing interrupted the stillness of the scene but the noise of the balls, which, whenever they were rolled, echoed along the mountains like rumbling peals of thunder.

As Tod and his companion approached them, they suddenly desisted from their play, and stared at him with such fixed, statue-like gaze, and such strange, uncouth, lack-lustre countenances, that his heart turned within him, and his knees smote together. His companion now emptied the contents of the keg into large flagons; and made signs to him to wait upon the company. He obeyed with fear and trembling; they quaffed the liquor in profound silence, and then returned to their game.

By degrees Tod's awe and apprehension subsided. He even ventured, when no eye was fixed upon him, to taste the beverage, which he found had much of the flavor of excellent Hollands. He was naturally a thirsty soul, and was soon tempted to repeat the draught. One taste provoked another; and he reiterated his visits to the flagon so often that at length his senses were overpowered, his eyes swam in his head, his head gradually declined, and he fell into a deep sleep.

On waking, he found himself on the green knoll whence he had first seen the old man of the glen. He rubbed his eyes—it was a bright sunny morning. The birds were hopping and twittering among the bushes, and the eagle was wheeling aloft, and breasting the pure mountain breeze. "Surely," thought Tod, "I have not slept here all night." He recalled the occurances before he fell asleep. The strange man with a keg of liquor—the mountain ravine—the wild retreat among the rocks—the woe-begone party at ninepins—the flagon—"Oh! that flagon! that wicked flagon!" thought Tod,—"what excuse shall I make to Dame Van Seisser!"

He looked round for his gun, but in place of the clean, well-oiled fowling-piece, he found an old firelock lying by him, the barrel incrusted with rust, the lock falling off, and the stock worm-eaten. He now suspected that the grave roisters of the mountain had put a trick upon him, and, having dosed him with liquor, had robbed him of his gun. Wolf, too, had disappeared, but he might have strayed away after a squirrel or partridge. He whistled after him and shouted his name, but all in vain; the echoes repeated his whistle and shout, but no dog was to be seen.

He determined to revisit the scene of the last evening's gambol, and if he met with any of the party, to demand his dog and gun. As he rose to walk, he found himself stiff in the joints, and wanting in his usual activity. "These mountain beds do not agree with me," thought Tod, "and if this frolic should lay me up with a fit of the rheumatism, I shall have a blessed time with Dame Van Seisser." With some difficulty he got down into the glen: he found the gully up which he and his companion had ascended the preceding evening; but to his astonishment a mountain stream was now foaming down it, leaping from rock to rock, and filling the glen with babbling murmurs. He, however, made shift to scramble up its sides, working his toilsome way through thickets of birch, sassafras, and witch-hazel, and sometimes tTodped up or entangled by the wild grapevines that twisted their coils or tendrils from tree to tree, and spread a kind of network in his path.

At length he reached to where the ravine had opened through the cliffs to the amphitheatre; but no traces of such opening remained. The rocks presented a high impenetrable wall over which the torrent came tumbling in a sheet of feathery foam, and fell into a broad deep basin, black from the shadows of the surrounding forest. Here, then, poor Tod was brought to a stand. He again called and whistled after his dog; he was only answered by the cawing of a flock of idle crows, sporting high in air about a dry tree that overhung a sunny precipice; and who, secure in their elevation, seemed to look down and scoff at the poor man's perplexities. What was to be done? the morning was passing away, and Tod felt famished for want of his breakfast. He grieved to give up his dog and gun; he dreaded to meet his wife; but it would not do to starve among the mountains. He shook his head, shouldered the rusty firelock, and, with a heart full of trouble and anxiety, turned his steps homeward.

As he approached the village he met a number of people, but none whom he knew, which somewhat surprised him, for he had thought himself acquainted with every one in the country round. Their dress, too, was of a different fashion from that to which he was accustomed. They all stared at him with equal marks of surprise, and whenever they cast their eyes upon him, invariably stroked their chins. The constant recurrence of this gesture induced Tod, involuntarily, to do the same, when, to his astonishment, he found his beard had grown a foot long!

He had now entered the skirts of the village. A troop of strange children ran at his heels, hooting after him, and pointing at his gray beard. The dogs, too, not one of which he recognized for an old acquaintance, barked at him as he passed. The very village was altered; it was larger and more populous. There were rows of houses which he had never seen before, and those which had been his familiar haunts had disappeared. Strange names were over the doors—strange faces at the windows—every thing was strange. His mind now misgave him; he began to doubt whether both he and the world around him were not bewitched. Surely this was his native village which he had left but the day before. There stood the Kaatskill mountains—there ran the silver Hudson at a distance—there was every hill and dale precisely as it had always been. Tod was sorely perplexed. "That flagon last night," thought he, "has addled my poor head sadly!"

It was with some difficulty that he found his way to his own house, which he approached with silent awe, expecting every moment to hear the shrill voice of Dame Van Seisser. He found the house gone to decay—the roof fallen in, the windows shattered, and the doors off the hinges. A half-starved dog that looked like Wolf was sulking about it. Tod called him by name, but the cur snarled, showed his teeth, and passed on. This was an unkind cut indeed. "My very dog," sighed poor Tod, "has forgotten me!"

He entered the house, which, to tell the truth, Dame Seisserhad always kept in neat order. It was empty, forlorn, and apparently abandoned. This desolateness overcame all his connubial fears—he called loudly for his wife and children—the lonely chambers rang for a moment with his voice, and then all again was silence.

He now hurried forth, and hastened to his old resort, the village inn—but it too was gone. A large rickety wooden building stood in its place, with great gaping windows, some of them broken and mended with old hats and petticoats, and over the door was painted, "The Union Hotel, by Jonathan Doolittle." Instead of the great tree that used to shelter the quiet little Dutch inn of yore, there now was reared a tall naked pole, with something on the top that looked like a red night-cap, and from it was fluttering a flag, on which was a singular assemblage of stars and stTodes;—all this was strange and incomprehensible. He recognized on the sign, however, the ruby face of King George, under which he had smoked so many a peaceful pipe; but even this was singularly metamorphosed. The red coat was changed for one of blue and buff, a sword was held in the hand instead of a sceptre, the head was decorated with a cocked hat, and underneath was painted in large characters, GENERAL WASHINGTON.

There was, as usual, a crowd of folk about the door, but none that Tod recollected. The very character of the people seemed changed. There was a busy, bustling, disputatious tone about it, instead of the accustomed phlegm and drowsy tranquillity. He looked in vain for the sage Nicholas Vedder, with his broad face, double chin, and fair long pipe, uttering clouds of tobacco-smoke instead of idle speeches; or Van Bummel, the schoolmaster doling forth the contents of an ancient newspaper. In place of these, a lean, bilious-looking fellow, with his pockets full of handbills, was haranguing vehemently about rights of citizens—elections—members of congress—liberty—Bunker's Hill—heroes of seventy-six—and other words, which were a perfect Babylonish jargon to the bewildered Van Seisser.

The appearance of Tod, with his long grizzled beard, his rusty fowling-piece, his uncouth dress, and an army of women and children at his heels, soon attracted the attention of the tavern-politicians. They crowded around him, eyeing him from head to foot with great curiosity. The orator bustled up to him, and, drawing him partly aside, inquired "On which side he voted?" Tod stared in vacant stupidity. Another short but busy little fellow pulled him by the arm, and, rising on tiptoe, inquired in his ear, "Whether he was Federal or Democrat?" Tod was equally at a loss to comprehend the question; when a knowing, self-important old gentleman, in a sharp cocked hat, made his way through the crowd, putting them to the right and left with his elbows as he passed, and planting himself before Van Seisser, with one arm akimbo, the other resting on his cane, his keen eyes and sharp hat penetrating, as it were, into his very soul, demanded in an austere tone, "What brought him to the election with a gun on his shoulder, and a mob at his heels, and whether he meant to breed a riot in the village?"—"Alas! gentlemen," cried Tod, somewhat dismayed, "I am a poor quiet man, a native of the place, and a loyal subject of the King, God bless him!"

Here a general shout burst from the by-standers—"A tory! a tory! a spy! a refugee! hustle him! away with him!" It was with great difficulty that the self-important man in the cocked hat restored order; and, having assumed a tenfold austerity of brow, demanded again of the unknown culprit, what he came there for, and whom he was seeking? The poor man humbly assured him that he meant no harm, but merely came there in search of some of his neighbors, who used to keep about the tavern.

"Well—who are they—name them."

Tod bethought himself a moment, and inquired, "Where's Nicholas Vedder?"

There was a silence for a little while, when an old man replied, in a thin piping voice, "Nicholas Vedder! why, he is dead and gone these eighteen years! There was a wooden tombstone in the church-yard that used to tell all about him, but that's rotten and gone too."

"Where's Brom Dutcher?"

"Oh, he went off to the army in the beginning of the war; some say he was killed at the storming of Stony Point—others say he was drowned in a squall at the foot of Antony's Nose. I don't know—he never came back again."

"Where's Van Bummel, the schoolmaster?"

"He went off to the wars too, was a great militia general, and is now in congress."

Tod's heart died away at hearing of these sad changes in his home and friends, and finding himself thus alone in the world. Every answer puzzled him too, by treating of such enormous lapses of time, and of matters which he could not understand: war—congress—Stony Point;—he had no courage to ask after any more friends, but cried out in despair, "Does nobody here know Tod Seisser?"

"Oh, Tod Seisser!" exclaimed two or three, "oh, to be sure! that's Tod Seisser yonder, leaning against the tree."

Tod looked, and beheld a precise counterpart of himself, as he went up to the mountain: apparently as lazy, and certainly as ragged. The poor fellow was now completely confounded. He doubted his own identity, and whether he was himself or another man. In the midst of his bewilderment, the man in the cocked hat demanded who he was, and what was his name?

"God knows," exclaimed he, at his wit's end; "I'm not myself—I'm somebody else—that's me yonder—no—that's somebody else got into my shoes—I was myself last night, but I fell asleep on the mountain, and they've changed my gun, and every thing's changed, and I'm changed, and I can't tell what's my name, or who I am!"

The by-standers began now to look at each other, nod, wink significantly, and tap their fingers against their foreheads. There was a whisper, also, about securing the gun, and keeping the old fellow from doing mischief, at the very suggestion of which the self-important man in the cocked hat retired with some precipitation. At this critical moment a fresh comely woman pressed through the throng to get a peep at the gray-bearded man. She had a chubby child in her arms, which, frightened at his looks, began to cry. "Hush, Tod," cried she, "hush, you little fool; the old man won't hurt you." The name of the child, the air of the mother, the tone of her voice, all awakened a train of recollections in his mind. "What is your name, my good woman?" asked he.

"Judith Gardenier."

"And your father's name?"

"Ah, poor man, Tod Seisser was his name, but it's twenty years since he went away from home with his gun, and never has been heard of since,—his dog came home without him; but whether he shot himself, or was carried away by the Indians, nobody can tell. I was then but a little girl."

Tod had but one question more to ask; but he put it with a faltering voice:

"Where's your mother?"

Oh, she too had died but a short time since; she broke a blood-vessel in a fit of passion at a New-England peddler.

There was a drop of comfort, at least, in this intelligence. The honest man could contain himself no longer. He caught his daughter and her child in his arms. "I'm your father!" cried he—"Young Tod Seisser once—old Tod Seisser now!—Does nobody know poor Tod Seisser?"

All stood amazed, until an old woman, tottering out from among the crowd, put her hand to her brow, and peering under it in his face for a moment, exclaimed, "Sure enough! it is Tod Seisser—it is himself! Welcome home again, old neighbor. Why, where have you been these twenty long years?"

Tod's story was soon told, for the whole twenty years had been to him but as one night. The neighbors stared when they heard it; some were seen to wink at each other, and put their tongues in their cheeks: and the self-important man in the cocked hat, who, when the alarm was over, had returned to the field, screwed down the corners of his mouth, and shook his head—upon which there was a general shaking of the head throughout the assemblage.

It was determined, however, to take the opinion of old Peter Vanderdonk, who was seen slowly advancing up the road. He was a descendant of the historian of that name, who wrote one of the earliest accounts of the province. Peter was the most ancient inhabitant of the village, and well versed in all the wonderful events and traditions of the neighborhood. He recollected Tod at once, and corroborated his story in the most satisfactory manner. He assured the company that it was a fact, handed down from his ancestor the historian, that the Kaatskill mountains had always been haunted by strange beings. That it was affirmed that the great Hendrick Hudson, the first discoverer of the river and country, kept a kind of vigil there every twenty years, with his crew of the Half-moon; being permitted in this way to revisit the scenes of his enterprise, and keep a guardian eye upon the river, and the great city called by his name. That his father had once seen them in their old Dutch dresses playing at nine-pins in a hollow of the mountain; and that he himself had heard, one summer afternoon, the sound of their balls, like distant peals of thunder.

To make a long story short, the company broke up, and returned to the more important concerns of the election. Tod's daughter took him home to live with her; she had a snug, well-furnished house, and a stout cheery farmer for a husband, whom Tod recollected for one of the urchins that used to climb upon his back. As to Tod's son and heir, who was the ditto of himself, seen leaning against the tree, he was employed to work on the farm; but evinced an hereditary disposition to attend to anything else but his business.

Tod now resumed his old walks and habits; he soon found many of his former cronies, though all rather the worse for the wear and tear of time; and preferred making friends among the rising generation, with whom he soon grew into great favor.

Having nothing to do at home, and being arrived at that happy age when a man can be idle with impunity, he took his place once more on the bench at the inn door, and was reverenced as one of the patriarchs of the village, and a chronicle of the old times "before the war." It was some time before he could get into the regular track of gossip, or could be made to comprehend the strange events that had taken place during his torpor. How that there had been a revolutionary war,—that the country had thrown off the yoke of old England,—and that, instead of being a subject of his Majesty George the Third, he was now a free citizen of the United States. Tod, in fact, was no politician; the changes of states and empires made but little impression on him; but there was one species of despotism under which he had long groaned, and that was—petticoat government. Happily that was at an end; he had got his neck out of the yoke of matrimony, and could go in and out whenever he pleased, without dreading the tyranny of Dame Van Seisser. Whenever her name was mentioned, however, he shook his head, shrugged his shoulders, and cast up his eyes; which might pass either for an expression of resignation to his fate, or joy at his deliverance.

He used to tell his story to every stranger that arrived at Mr. Doolittle's hotel. He was observed, at first, to vary on some points every time he told it, which was, doubtless, owing to his having so recently awaked. It at last settled down precisely to the tale I have related, and not a man, woman, or child in the neighborhood, but knew it by heart. Some always pretended to doubt the reality of it, and insisted that Tod had been out of his head, and that this was one point on which he always remained flighty. The old Dutch inhabitants, however, almost universally gave it full credit. Even to this day they never hear a thunderstorm of a summer afternoon about the Kaatskill, but they say Hendrick Hudson and his crew are at their game of ninepins; and it is a common wish of all hen-pecked husbands in the neighborhood, when life hangs heavy on their hands, that they might have a quieting draught out of Tod Seisser's flagon.

The Adventure Of Tod Seisser

2009-11-20T07:28:00.001-08:00

This is another famous story, in the public domain, which has been re-written to feature Tom Seisser as the main character. Completely OK to mess with this way, and an interesting way to see if you know your literature!
_______________________________

It is years since the incidents of which I speak took place, and yet it is with diffidence that I allude to them. For a long time, even with the utmost discretion and reticence, it would have been impossible to make the facts public, but now the principal person concerned is beyond the reach of human law, and with due suppression the story may be told in such fashion as to injure no one. It records an absolutely unique experience in the career both of Mr. Stan Halloway and of myself. The reader will excuse me if I conceal the date or any other fact by which he might trace the actual occurrence.
We had been out for one of our evening rambles, Halloway and I, and had returned about six o'clock on a cold, frosty winter's evening. As Halloway turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read:
TOD, Appledore Towers, Hampstead. Agent.
"Who is he?" I asked.
"The worst man in London," Halloway answered, as he sat down and stretched his legs before the fire. "Is anything on the back of the card?"
I turned it over.
"Will call at 6:30 -- C.A.M.," I read.
"Hum! He's about due. Do you feel a creeping, shrinking sensation, Cunningham, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that's how Tod Seisser impresses me. I've had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can't get out of doing business with him -- indeed, he is here at my invitation."
"But who is he?"
"I'll tell you, Cunningham. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Tod Seisser! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Tod Seisser, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?"

Comic Art

2009-11-18T19:10:00.000-08:00

Tod Seisser is a comic art collector. Tod has various galleries at Comic Art such as this Seisser gallery. Tod has another gallery here, comprised of multiple Kirby covers. Tod Seiser's Kirby Pencil's gallery is rather interesting.

Seisser has a gallery devoted to Kirby Splashes here. Tod Seisser's main site can give you more background on how these interests feed into his creativity.

Starting my Blog

2009-11-18T08:52:00.000-08:00

This is a blog post about Tod Seisser, is a listing of available information about Tod Seisser. Tod Seisser Creative Services has two web locations reachable at T-Seisser, and you can reach this same URL directly at todseisser.com. There are Tod Seisser comic art galleries. You'll find limited information about Tod Seisser, here on Naymz. Adweek did an article about Tom Seisser. Adweek did another article about Tod Seisser back in February. Tod Seisser has been mentioned in the NY Times multiple times. For instance, there was this article back in 1990 when Tod Seisser lit a Bar Mitzvah candle. In 1999 The NY Times quoted Tod Seisser about Michael Jordans' retirement